书籍 The Rhetoric of Fiction的封面

The Rhetoric of Fiction

Wayne C. Booth

出版时间

1983-02-14

ISBN

9780226065588

评分

★★★★★
书籍介绍

The first edition of "The Rhetoric of Fiction" transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms--such as "the implied author," "the postulated reader," and "the unreliable narrator"--have become part of the standard critical lexicon.

For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years--two decades that Booth describes as "the richest in the history of the subject."

Wayne C. Booth (1921–2005) was the George M. Pullman Distinguished Service Professor Emeritus in English Language and Literature at the University of Chicago. His many books include The Rhetoric of Fiction and For the Love of It: Amateuring and Its Rivals, both published by the University of Chicago Press.

目录
Foreword to the Second Edition
Preface to the First Edition
Acknowledgments
Part I: Artistic Purity and the Rhetoric of Fiction
I. Telling and Showing

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用户评论
抱着去理解“隐含作者”概念而读的,并没能全部解决我的疑问。但这本书的确也给了我很多启示。似乎所有问题的解决最终都归结为一个问题:什么是文学?
一百年来,写小说、译小说、看小说是中国人看世界、看自己的重要途径。要想研究小说就要先有好的研究方法。这本书就很有用了。
"小说修辞的根本问题是作者决定应该为谁写作的问题"
整体的阅读体验是非常崩溃的。叙事学仿佛就是这样一门学问,如果读过所评论的小说就会拍案叫绝,否则就会一头雾水…本书中提及的作品实在是太多了。Booth基本是在批判西方叙事理论中对于“客观性”的追求,指出叙述权力和“为谁叙述”的问题,有很强的现实意义。
能把Tristram Shandy如此無秩序的故事綁在一起的是促使這個event自始至終的consistency,但是總是覺得narrative voice背後還有更深的東西,把TS解讀得有一點點live comedy的影子
原版就晦涩冗长,翻译版更狗屁不通,但咬牙读完后还是有所收获。For Booth, writing is a way of communication (underlined: not self-indulgence) and rhetoric applies to all kinds of narratives. 覆盖18-20世纪中的dominant literary theories及变化趋势,佐以大量名著逐一分析利弊。不过对没有objectivity/realism盲目崇拜or showing is always better than telling先入之见的人来说,读起来会有点无聊;Booth对这些现代严肃文学流行的潜规则深恶痛绝,抨击它们奠定了本书的tone.
umm...刚看完Spacks觉得Booth比较opinionated对...Sarah Fielding太harsh
@2012-05-14 21:51:00
确实是大师之作。只是功力太浅,绝对得再啃一遍中文版。400多页读了5天才勉强读完,欧美文学阅读量少于200的可以自觉避开了(我好弱😫)