书籍 Too Much Happiness的封面

Too Much Happiness

Alice Munro

出版社

Knopf

出版时间

2009-11-17

ISBN

9780307269768

评分

★★★★★
书籍介绍

Ten superb new stories by one of our most beloved and admired writers—the winner of the 2009 Man Booker International Prize.

In the first story a young wife and mother receives release from the unbearable pain of losing her three children from a most surprising source. In another, a young woman, in the aftermath of an unusual and humiliating seduction, reacts in a clever if less-than-admirable fashion. Other stories uncover the “deep-holes” in a marriage, the unsuspected cruelty of children, and how a boy’s disfigured face provides both the good things in his life and the bad. And in the long title story, we accompany Sophia Kovalevsky—a late-nineteenth-century Russian émigré and mathematician—on a winter journey that takes her from the Riviera, where she visits her lover, to Paris, Germany, and, Denmark, where she has a fateful meeting with a local doctor, and finally to Sweden, where she teaches at the only university in Europe willing to employ a female mathematician.

With clarity and ease, Alice Munro once again renders complex, difficult events and emotions into stories that shed light on the unpredictable ways in which men and women accommodate and often transcend what happens in their lives.

Too Much Happiness is a compelling, provocative—even daring—collection.

艾丽丝•门罗(Alice Munro,1931— )

加拿大女作家,当代短篇小说大师,2013年诺贝尔文学奖得主。少女时代即开始写作,37岁时出版第一部作品。她一生专注于中短篇小说创作,讲述小地方普通人特别是女性隐含悲剧的平常生活,以细腻透彻又波澜不惊的话语,洞见人性的幽微处。

用户评论
克制叙述下的暗流汹涌——门罗真是有强烈个人风格的作家。Too much happiness以俄罗斯数学家Sofya Kovalevskaya为原型。除此之外我印象最深刻的两篇是Face和Wenlock Edge,令人心惊。
有一个男子得知一个小时候的玩伴为他毁容,想道“知道了真相会改变什么吗?答案是一定会的,会改变一时,并不会。”其他像嬉皮杀子和小孩杀了同学,陌生人聊自己不幸运的感情经历等都让人印象很深。反而她花最多心血研究的数学家传记改编那篇写得不灵。
Suffocating and choking, both the happiness and the pain.
是那种能让你忘记看的不是中文的原版书,近期读书的一个惊喜
课程阅读。为了写essay仔仔细细读了几遍deep-holes。
在医院等着家属做手术,翻开好几本书都看不进去,翻开这本第一个故事被震到,Munro以冷静地口吻讲述很恐怖的人世间的事。她在不同的人之间自由切换,几则故事里都有Hippie生活和做木工的描述,不知是不是她本人的经历。还有英文版的姜喜宝,只是她赋予了女主用文学打败老男人的力量。
已經不知道是門儸的第幾本書了,有一點點審美疲勞了。寫得還是非常細膩的,而且有一種加拿大特殊的冷。
谢谢你在我人生无比需要的时候出现。我应该没有辜负你。
门罗总是在写人生中最具动态的时刻,譬如《深洞》里的获救,或是《虚构》中的离异,这些时刻被后续的人生压抑,却被拉出时间线来细细审查,看那一段过往究竟是一枚深水炸弹,还是提供了救赎,难怪她说生活才是逃避。我更喜欢这一辑,觉得小说情节更难以预料一些,譬如《温洛岭》中诡谲的试胆,裸体的阅读让人想起朴赞郁的《小姐》,《深洞》中暗示的成为流浪汉的经历,《孩子的游戏》中百转千回的真相与孩童无意识的恶,让书中的人物更难以预料,在迷茫难解的雾霭中离行动的自由更近了一些,《虚构》《自由基》甚至带有福祸相依,因缘际会的味道(因他人之祸而得福)。门罗还借几个篇目抒发了自己的文学观、写作观。