书籍 Frantumaglia的封面

Frantumaglia

Elena Ferrante

出版时间

2016-10-31

ISBN

9781609452926

评分

★★★★★
书籍介绍

In this collection of writings and responses gathered from over 30 years of correspondence, the reclusive Italian author addresses her unwavering decision to remain anonymous, her literary inspirations, Italian politics and culture, and the role of the writer (and the publisher) in modern society. Ferrante’s voice is as direct, penetrating, acute, inspiring, and intimate as it is in her acclaimed novels.

This book invites readers into Elena Ferrante’s workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing.

In these pages Ferrante answers many of her readers’ questions she addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.

埃莱娜·费兰特是一个笔名,作者真实身份至今是谜。埃莱娜·费兰特1992年发表第一部长篇小说《烦人的爱》,1995年被意大利导演马里奥·马尔托内改编为同名电影;此后相继出版小说《被遗弃的日子》(2002),与出版社的通信文件集《碎片》(2003),小说《暗处的女儿》(2006)以及儿童小说《夜晚的沙滩》(2007)。

2011年至2014年,费兰特以每年一本的频率出版《我的天才女友》《新名字的故事》《离开的,留下的》和《失踪的孩子》,这四部情节相关的小说被称为“那不勒斯四部曲”。它们以史诗般的体例,描述了两个在那不勒斯穷困社区出生的女孩持续半个世纪的友谊,尖锐又细腻探讨了女性命运的复杂性和深度。

2015年,费兰特被《金融时报》评为“年度女性”。2016年,《时代》周刊将埃莱娜·费兰特选入“具影响力的100位艺术家”。2017年3月,《我的天才女友》被...

(展开全部)

用户评论
Words make unpredictable journeys in the reader’s mind.
目前只看过费兰特的四部曲,所以选看了书中第三部分。补
这本书是费兰特和出版商、记者之间关于早期的两本书Troubling Love和The Days of Abandonment以及那不勒斯四部曲的疑问沟通,都是以书信和邮件形式,很多地方都涉及到作者匿名的原因。在书中费兰特对Frantumaglia这个词作了解释: A word to describe how she felt when she was racked by contradictory sensations that were tearing her apart, a jumble of fragments. 最后一部分是回答Nicola Lagioia的问题,作者似乎很享受,但理解起来真消耗脑细胞。
耐心地听,一遍遍,“作家本身是最不重要的”,诗人可以毫无诗意。
读过那不勒斯四部曲对这个神秘的匿名作家感到好奇,这本书是作者跟出版商的书信往来,也提到了作者匿名的原因,更多的是作者对于写作的一片赤诚,想来正是因为热爱,所以才能写出如此精彩关于女性之间友谊以及母女关系的优秀的作品。
I don’t care about who Elena Ferrante is, her writing is just brilliant that’s all
封面哇是伍德曼!!
After Troubling Love and the Days of abandonment, I embarked on a new journey on which I use the art of losing as a thread to piece together my fragments. Where am I heading to and when could the whirling vortex stop? Or could it? And how can I survive in such a moment of crisis. How can women survive
并无太多新意与洞见 更像是杂志采访稿汇总
verisimilitude and authenticity/writing is not to make sense but to shatter the existence into pieces which is only lifelike